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Historic New England Magazine - Winter 2000
Issues | Search

Terraced steps lead to a delicate Gothic Revival summerhouse.
The ultimate source of this type of terracing is very likely eighteenth-century
France. |
Barrett
House,
New Ipswich, New Hampshire
Great Expectations
Site
Manager Darlene Marshall explains
the presence of a high-style
mansion in a rural setting.
Two hundred years ago, the country
town of New Ipswich stood poised on the crest of a growing economy. The
second New Hampshire turnpike was opening up the region as a commercial
center. Small businesses and textile mills, evidence of the new republic's
infant industries, were springing up along the banks of the Souhegan River.
Charles Barrett, a prosperous farmer in town, felt sufficiently emboldened
by the future to embark upon a series of business ventures, investing
in a glass factory, a toll road, a canal system, and, most successfully,
in New Hampshire's first cotton mill. His son, Charles Jr., followed the
father's pattern, joining in a partnership in 1819 in a textile mill with
the latest modern machinery, a power loom.
In 1800, when young Charles was to be married, his father joined with
the bride's father to build and furnish a home for the couple. Called
Forest Hall, the house's stately architecture and lavish furnishings convey
a confident urbanity and sophistication that clearly reflect both families'
aspirations. The numerous handsome reception rooms were designed for entertaining
in a cosmopolitan manner. An elaborate allée was later added to
the landscape, with a flight of stone steps flanked by maples rising up
the hillside behind the house. Similar in form to terraced steps, or "falls,"
found at grand houses along the coast, the Barrett allée is unusual
in that it leads up to a summerhouse rather than down to a water feature.
The elegance of the design, however, is entirely consistent with a home
of this architectural quality.
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Above Left: The parlor features a secretary that
was a wedding gift, an Empire-style pedestal table,
and a fine gold mirror. The sandpaper drawing of Barret House in the hall
dates from the second quarter
of the nineteenth century. Above Right: A bathroom was installed in the
early twentieth century.
The elaborate shower was never connected because the owners died a few
years later,
leaving the work unfinished.
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But the golden age of New Ipswich was not long lived. Nearby Greenville,
New Hampshire, offered better factory sites, focusing industrial development
in that town instead. After the railroad bypassed New Ipswich, the town
entered into a decline, and the population dwindled. Charles Barrett's
descendants stayed on and even updated the house, but today Forest Hall
remains essentially a relic of the federal era. After 1887, the family
used the house only in the summer-time. Caroline Barr Wade, the family
member who gave the house to SPNEA in 1950, fondly recalled staying there
as a child in the 1870s and 1880s-"Forest Hall has at its entrance
two huge slabs or steps of granite, and [on] warm summer evenings Madame
Barrett and my mother would sit just inside the front door on an old fashioned
sofa or chairs, and the rest of us on various cushions on these wide,
low steps, talking and singing."
The happy coincidence of three anniversaries this year-the two hundred
and fiftieth anniversary of the founding of New Ipswich, New Hampshire;
the two hundredth anniversary of the building of SPNEA's Barrett House,
and the fiftieth anniversary of the house as a museum-has afforded the
opportunity for community-wide celebration. Barrett House provided the
site for several events, including a Revolutionary Encampment that attracted over 1,500 people. Many local
residents toured the house for the first time, and one commented that
what he valued most about the festivities was that "They brought
the town's people together."
-Darlene Marshall, Site Manager, Barrett House
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Above Left:
The diningroom represents the level of elegance a family like the Barrets
would have expected, with imported French scenic wallpaper and Chinese export
dinnerware. The window looks out on an unspoiled view of the countryside.
Top Right: In the kitchen, three bottles made by the New England Glassworks
in nearbyTemple, New Hampshire, and a mug decorated with sign language symbols
that belonged to Charles Barrett's grandson, who became deaf following a
childhood illness. Bottom Right: Visitors last summer witness a reenactment
of a Revolutionary War skirmish. |
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